MISS JAMAICA 2015 VISITS UGANDA

By Dennis D. Muhumuza

“Beauty with a purpose” is a catchphrase vocalised by many national beauty queens but few give it tangible meaning like the reigning Miss Jamaica, Dr. Sanneta Myrie. The 25-year-old is a medical doctor who turned to catwalk not to show off her booty, but to use the limelight to impact the world. That’s why she spent over ten hours airborne from New York to Africa for two weeks of voluntary service that saw her reach out to disadvantaged children in Ethiopia, Kenya and Uganda.

“I came with a team from Shashamane Sunrise, an international NGO focusing on supporting children’s education in developing countries. I jumped at the invitation to join their efforts because what the organisation does is in line with what I like to do, which is to mentor young children from disadvantaged circumstances.”

It’s easy for Dr. Sanneta’s heart to beat for the underprivileged because she didn’t have a rosy childhood either. She was born in the ghettos of Kingston, Jamaica, to a single mother and a Rastafarian father she has never met. She was later adopted and given an opportunity she maximised to become the woman she is today. 

The writer with Miss Jamaica 2016

“If I wasn’t lucky enough to be able to get quality education I wouldn’t have been able to achieve all that I have achieved. So when it comes to providing good education for children; giving each child equal opportunity to achieve, it’s really something I’m drawn to because we are all capable; it’s just a matter of opportunity.” 

Dr. Sanneta spent five days at St. Theresa Ngora-Okoboi Primary School, in Ngora District, eastern Uganda. She gave out books, pens, pencils, erasers and interacted with the school’s population of 503 learners who she described as “bright-eyed children in worn-out uniforms and tattered shoes and slippers”.

“I got them to tell me their dreams and a lot of them expressed their desire to be like the people they admire in their community: teacher, farmer, doctor, priest. No one said they wanted to be a national beauty queen because the concept of catwalk was alien to them.  

“It was a bit difficult to explain to them where Jamaica is. I told them about Bob Marley and the world’s fastest man Usain Bolt who are from my country but they looked at me bewildered because they didn’t know these people. I understood knowing this is a rural setting with no electricity, no TV; no real exposure to the outside world. That’s why it’s important for anyone with a massive platform to use it to reach out to such children; to stimulate them and give them a broader world outlook.” 

Mentoring children

Dr. Sanneta held mentorship workshops; impressing upon the children the importance of working hard and utilizing every opportunity. An accomplished dancer who started dancing at the age of three, she also took them through dancing routines because “dance is a form of healing; medicine heals the mind and body, and dance heals the soul.” 

“I engaged them in some Jamaican dances but the moves proved challenging for them to fully grasp but they tried their best and laughed their way through it,” she said. “It was a fulfilling day of putting smiles across many faces.” 

Away from getting jiggy with the children, the beauty queen rolled her sleeves and got involved in the harder work of renovating the school buildings. She commissioned a group of local masons and as they built the unfinished walls and others put a new roof on some of the buildings, she grabbed a paintbrush and painted a whole wall. 

Before leaving Teso, Dr. Sanneta visited Sipi Falls which she described as a “breathtaking site” and the hike down to the base of these falls was “quite an amazing experience” for her. 

In Kampala, Dr. Sanneta met the reigning Miss Uganda Zahara Nakiyaga.

“I took her to Special Children Special People, a home in Bunga, that helps prepare children with disabilities for formal education,” said Zahara. “She interacted with the children and met their teachers. It was a great experience getting together again and rehashing old memories at Miss World.” 

The Director of that special needs home, Dr. Naboth Colle, said the children had a great experience with Miss Jamaica: “She was interested in their welfare; how they live and cope. She talked to and took pictures with them and we were all honoured by her presence and touched by her compassion.” 

Dr. Sanneta also met Pauline Akurut, the reigning Miss Tourism. 

“Such a world beauty but she is out there working so hard and making a huge difference,” said Pauline, of how the Caribbean queen's work ethic inspired her. “I learnt a lot from her.”  

 Beauty tips

Interestingly, Dr. Sanneta's journey on the runaway started coincidentally. Her one dream was to become a doctor and help the suffering lot. But after completing medical school, her best friend convinced her to enter the Miss Jamaica pageant. She won it and represented her country at the 2015 Miss World beauty contest in China where she finished third runner-up, and won the Miss World Caribbean crown. 

No doubt for our national beauty queens to perform better on the world stage they have to prepare adequately. Dr. Sanneta had to hire a specialist to train her in poise, a dance master to help sharpen her dancing skills, and was coached by public speaking scholars in the art of oratory as part of her preparations for Miss Jamaica and Miss World beauty contests. 

“When you are in a competition like Miss World, you look in front there are beautiful girls, you look behind there are beautiful women, you look aside there are beautiful women; so you have to be versatile,” she said. “You have to have something that sets you apart, and that is what comes from the inside. You have to have exceptional self-belief because it helps you to perform without pressure.” 

To somebody aspiring to be a strong woman, Dr Sanneta shares the importance of value system: “You have to know what you stand for because if you stand for nothing you fall for everything. Also you have to know that you have a lot to offer the world and the determination to commit yourself to a task in line with with your passion. That makes it easier for you to shine.” 

Shining is what Dr. Sanneta does, giving concrete meaning to her name which loosely translates to “shining sun.” 

She stays in shape by having enough sleep, drinking lots of water which “helps the skin” and staying active by running more, dancing, connecting with friends, helping the less privileged; generally doing things that help “the body, mind and spirit.” 

Dr. Sanneta is dating and hopes to get married at the right time. But her focus currently is to complete her reigns as Miss World Caribbean and Miss Jamaica positively. “Then I’ll return to my regular life and practice medicine,” she says with a smile.

The interview ends with a sermon on togetherness and industriousness: “Love and unity is something I always preach; we need to unify as Africans; those abroad and those at home, and continue to work and make a better world for our children."

Time to tell our stories

By DENNIS D. MUHUMUZA

Could it be that the main reason many influential Ugandans and Africans generally are reluctant about telling and having their stories published is because they have many skeletons in their closets that would come tumbling out? At least that was Prof. Zakes Mda's fear. It's also the fear of many because the process of writing the life story of oneself is equally the process of coming to terms with his past, which often is mix of the beautiful and the ugly. 

Prof. Mda with some of the participants

Prof. Mda who delivered the keynote address at the second edition of the Uganda International Writers Conference, an initiative of the African Writers Trust (AWT), finally overcame his fear and in 2012 published his first creative non-fiction book titled Sometimes there is a Void: Memoirs of an Outsider.

"In this memoir, Mda tells the story of a life that intersects with the political life of his country but at its heart is the classic adventure story of an artist, lover, father and teacher," notes AWT Director Goretti Kyomuhendo. "There's no denying the raw honesty and inspiring penmanship of this work of note, especially in relevance to our conference theme - 'Memoir and Truth.'" 

Prof. Mda who teaches Creative Writing at Ohio University believes it's important for the African to tell his story; not the peculiar narrative that reinforces the stereotype of African suffering, but a narrative of an African rising; a narrative of how a poor African child can beat the odds and make it, a genuine portrait of who we are against misrepresentation by outsiders. Writing would also "preserve our disappearing world".

The South African practices what he preaches. He has published over 21 books, ten of which are novels. The rest are collections of poetry and plays, and a monograph, When People Play People, on how theatre can be used to develop a people. 

Even more interesting is that since 2000, Prof. Mda has been running a beekeeping project with the rural women in Eastern Cape. His wealth of experience and knowledge as an all-round author, teacher, Pan Africanist, well-travelled man, former exilee and beekeeper made him the perfect choice to discuss the Conference's  theme of 'Memoir and Truth.' 

The five-day event which started on Sunday afternoon but was officially opened on Tuesday at Fairway Hotel, brought together nearly 30 African writers of note and supporters of the art from Uganda, South Africa, Nigeria, Kenya, Rwanda, Malawi, Cameroon, Somalia, US, and UK, including our own Daniel Kalinaki who is basking in critical acclaim for his recent biography of Dr. Kizza Besigye, Jennifer Makumbi, UK-based poet Mildred Barya Kiconco and Dr. Susan Kiguli, among others.

Prof. Mda lauded Uganda's literary heritage, citing John Ruganda and Okot p'Bitek among authors who greatly influenced him. He worked with Ruganda and learned a lot from him about theatre while from p'Bitek "I learnt how to write poems and plays drawing from the rich idioms of my indigenous languages." 

The participants looked into successful literary initiatives, talked about space and identity in African writing, discussed the rise of digital literature and the need to embrace it. But the focus remained on the shift to non-fiction, with Prof. Mda articulating the distinctions between memoir and biography - two genres through which the story of African people would be accurately chronicled while remaining faithful to the emotional truth that would help the critic to understand us better. 

The whole point being that there is a whole lot to gain from telling our stories. After all, if we don't write our story, the outsider who will truly never be close to our reality will tell it...superficially.

--Saturday Monitor, March 14, 2015

Another literary candle burns out

BY DENNIS D. MUHUMUZA

Uganda has lost another literary luminary. The retired ambassador, Godfrey Mwene Kalimugogo, who died on Sunday at the age of 71, was a prolific author and arguably one of the finest satirists this country has had. He authored 14 novels; a feat unaccomplished by any other Ugandan novelist. These were classic works half of which were the hotcakes during the golden era of Ugandan literature - the 1970s.

His third novel, Trials and Tribulations in Sandu’s Home (1974), was on the literature syllabus back then, and ushered Kalimugogo into the spotlight as a rare humorist. All his novels are packed with humour; leaving the reader in stitches, although they explore dark subjects like corruption, hedonism and the excesses of the rich and powerful.

The late Godfrey Mwene Kalimugogo was a literary genius

Sadly, at the time of his death, Kalimugogo was little known at home. Had Kalimugogo been an American, he would have died a billionaire, and there would have been several scholarly funds in his name. Not that he cared about money or the applause of men; he was a humble soul who did not ask for much.
In 2010, he said to know that his books were read and appreciated by Ugandans would be his best reward. His wish has partly been granted now that his 2009 novel, A Murky River, is on the A-Level Literature syllabus.

“He was a literary giant whose works will stand the test of time,” said Mary Karooro Okurut during the requiem service at All Saints Cathedral, Nakasero, on Thursday. The church was brimming with people from all walks who came to bid goodbye to the wordsmith who once said besides the joy of family, there was nothing else as enjoyable as reading and writing.

Kalimugogo believed the job of an artist is to recreate a situation. Thus, he became a keen observer of society and its dynamics; vividly recreating what he felt was of relevance to the contemporary world. In A Murky River for example, he explores the norm of refusing to honour those who deserve it. It is about a man, who in his obsessive pursuit of riches, abandons his mother, only to discover after her death that no amount of money could bring her back.

In his other works, Kalimugogo called corruption a “malignant cancer” and described the run-down public hospitals as “chambers of horrors”, not places the sick go to for healing and relief. In Bury Me in a Simple Grave (2009), which won a NABOTU award, he quips, “Is money, in the absence of moral and social values, any good?”

What distinguished Kalimugogo’s works are the rapid-fire witty lines and ego-centric characters who, in their arrogance, inadvertently reveal their rottenness through devilish deeds that plunge society down the pit of depravity.

Kalimugogo’s comical style is reminiscent of that of famous English author P.G. Wodehouse, who greatly inspired and influenced him.

Kalimugogo’s intimacy with literature developed at Nyakasura School in Fort Portal, which he attended from 1959 to 1964. He had come from the humble village of Kyokyezo, Rubanda County in Kabale District and topped his class to win a secondary school scholarship.

At Nyakasura, he became the student librarian, an opportunity he maximised to read all the great masters from Charles Dickens, William Shakespeare, Alexander Pope, Thomas Hardy and Joseph Conrad, among other geniuses that sparked his own literary ambitions. It was not a surprise that at Makerere University, he studied literature and became the editor of the literary magazine, Pen Point, graduating in 1968 with an honours degree in English and Classical Literature.

In 1969, he joined the Foreign Service of Uganda and became a career diplomat in a number of countries, including DR Congo, Ethiopia, Tanzania and Kenya. He retired from diplomatic service in 2003 and devoted the rest of his life to writing and family.

During the requiem service, he was described by his wife and children as a loving husband and doting father, who inculcated in them the love of books, introduced them to great comedy and left them the legacy of loving God and doing good. Talking of his funny side, his son, Alex, recalled how his father once hand-wrote a letter in which he poured out his frustrations with Arsenal (the club he supported) and then gave the letter to Alex to deliver to Arsenal manager Arsene Wenger.

His daughter, Pearl, described her father as “a great cook who made very nice chicken soup.”

According to his wife, Dr Grace Kalimugogo, the deceased started having poor health in 1978 but it was from 1983 that he was always in and out of hospital. In spite of that, he had inner strength and never allowed anything to stop him from performing his duties diligently. So punctual and virtuous was he that he even won two awards from Umeme for the rare knack of paying his bills on time, always.

Kalimugogo used to hang out at Speke Hotel with his best friend and fellow writer, Victor Byabamazima as they talked literature, politics and society over tea. When Victor died in July 2013, Kalimugogo’s life deteriorated. But he retained a positive outlook, finding solace in the Bible, which he loved to read a lot.

“My God knows what he wants for me,” he often told his wife. Well, his God wanted him Home, the Home of Everlasting peace and bliss to which he was called on Sunday.

--Saturday Monitor, January 31, 2015

Tapping into Uganda’s literary treasures

BY DENNIS D. MUHUMUZA

In 1965, Uganda was described as “a literary desert” by Prof Taban lo Liyong, a literary author. Today, 49 years later, it is right to flip the coin and say Uganda is a literary oasis. Literary creativity is high and acceptance and appreciation of Ugandan literature locally and beyond the borders is becoming the norm.

Writers like Dilman Dila and Jennifer Makumbi had their stars shining brighter this year. Mary Karooro Okurut released Potiphar’s Grand Daughter. A poetry anthology, A Thousand Voices Rising, compiled and edited by Beverley Nambozo Nsengyyunva of the BN Poetry Awards fame, caused excitement. Victoria Atukunda Abigail emerged as the writer of romance to watch with her second novel The Edge, while Evelyn Kasamba proved we can stand to be counted among the best motivational writers with her book School Room for Life. Then Dr Sr Dominic Dipio published an important book on African cinema, and Dr Aaron Mushengyezi on oral literature for children. Oscar Ranzo has proved himself as Uganda’s most prolific children’s author by releasing three more titles this year.

Back to Jennifer Nansubuga Makumbi. First, her short-story Let’s Tell This Story Properly won the 2014 Commonwealth Short Story Prize. Then her first novel, Kintu, was released by Kwani? The 442-page volume, described by author Jamal Mahjoub as “an ambitious modern epic that takes in family saga and history of Uganda, fusing the urgency of the present with the timelessness of myth”, was launched in Kampala in June. It sold out immediately, punching holes in the boring dirge that Ugandans do not read.

The best thing that happened to our industry
But the best thing that happened to Uganda’s book industry this year is the crackdown on pirates that infringe on the copyright of authors by illegally reprinting and selling their books cheaply, thereby choking the market for genuine books. It is the major reason Ugandan authors remain poor. Even the government loses revenue since these pirates do not pay taxes. The Uganda Reproduction Rights Organisation (URRO) takes the plaudits for the commando-like-operations in which more than 80,000 pirated books worth Shs1.8b were impounded.
 According to Charles Batambuze, URRO’s executive director, our printing and publishing industry has lost at least Shs10 billion since October 2013 alone through piracy. URRO, which has the official mandate complete with the no-nonsense inspectors reminiscent of the “yellow boys” of KCCA, will with the cooperation of authors, genuine publishers and booksellers, crack the whip more in 2015 until the evil of piracy that has opened the floodgates of substandard books on the market is uprooted.

All the new books will in 2015 be affixed with holograms to distinguish them from fake ones. Anybody caught selling books without holograms will be arrested and the books impounded. URRO will continue to hold workshops to promote awareness against piracy.

Femrite’s role

Some of the Caravan writers ready to set off

Since 1996 when it was founded to give a voice to the woman writer, Femrite - the Uganda female writers association - has continued to be a major player in the growth of our literary industry. This year, it run a set of literary activities but what stood out is the February Uganda Writers Caravan, the first of its kind, which saw a carefully selected group of fine Ugandan authors trek through 10 districts: Kampala, Wakiso, Luwero, Gulu, Oyam, Lira Ngora, Kapchorwa, Mbare and Jinja to promote writing and reading.

“Even us prisoners we have stories to write,” a prisoner in Loro Prison, one of the Caravan stopovers said, “thank you for coming to encourage us to write our stories.”

In July, Femrite run its annual week of literary activities that included a reading with Mellisa Kiguwa for her new poetry collection, a public reading at Hotel Africana on the theme: “African Women Speaking for Themselves - What Difference does it Make?”, a public reading at National Theatre and the week was crowned with Poetry Night at Uganda Museum under the theme: “Redefining Womanhood: A Celebration of Maya Angelou”.

In the same month, Femrite held the “Writing for Social Justice” workshop in which 20 women from different African countries shared on expressing themselves freely and learnt how to identify and respond to issues of social justice. The workshop will take place again in July 2015, and the participants will use the opportunity to publish for the social justice cause.

In October, Femrite launched a new project with the Danish Centre for Culture and Development— Developing a New Reading and Writing Generation, the major aim being the establishment of 20 creative writing clubs in 20 schools (14 schools in Gulu and six in Kabale). Each club owns a notice board and they post their creative works weekly. These clubs are more like an extension of the Femrite Readers Writers Club, which provides mentors to nurture writing talent, as well promote a reading culture in these schools.

According to Femrite Coordinator Hilda Twongyeirwe, 2015 will be a busy year for the organisation.
The Writers Caravan will head to western Uganda, the Femrite Regional Residency will this time be held in Gotland Island at the Baltic Centre in Sweden, the reading tents will be pitched for primary school children in Gulu, and the Week of Literary Activities will happen in mid-year, among other activities.

Other players
In keeping Uganda’s literary flag flying, Femrite has found a competitor in the Centre for African Cultural Excellence (CACE) that has since 2012 identified, mentored, published and promoted emerging African writers through literary festivals, creative-writing workshops, online mentoring, publication of flash fiction in newspapers, publishing an annual anthology of short stories, and running short story prizes under the “Writivism” programme.

The fact that Okwiri Oduor won the 2014 Caine Prize for African Writing while Efemia Chela, participant in the 2014 Writivism workshop in Cape Town was shortlisted for the same shows the potency of this initiative. In fact, some of the Writivism-associated writers, including our own Glaydah Namukasa and Okwiri Oduor, were named by the Hay Festival Africa39 initiative as writers who shall shape the future of African writing.

According to Bwesigye Bwa Mwesigire, CACE’s Programmes Director, expect more fireworks in 2015 as more than 50 talented emerging writers are going to be identified around the continent through five creative writing workshops in five different African cities. The best 25 of those will be helped to develop their craft further through mentorship. Then an anthology of 14 short stories will be published, and best five rewarded.

The highlight of 2015 will, however, be a literary conference expected to take place at Makerere University, bringing together writers, publishers, academics, readers, book distributors and the media around the continent.

--Saturday Monitor, December 20, 2014

Unlocking the Ugandan version of English

BY DENNIS D. MUHUMUZA

 A Ugandan researcher and cultural critic has published a book on something that we have always laughed about in Uganda: the way we speak English. Bernard Sabiiti spent four years figuring out the origin of Uglish (/you-glish/), the derisive term Ugandans use to refer to their weird variety of English. This is not something common only among the uneducated, Mr Sabiiti says of Uganda’s own English. He writes that even some highly educated Ugandans cannot speak Standard English.

“Who of us has never used the phrase “you are lost?” While almost all Ugandans will understand what it means, which is that you have not seen someone in a while, most foreigners will have no idea what that means. The phrase is a direct translation of the local phrase. Most Uglishes like to “dirten”, which means to “make dirty”.

Others, however, are completely created out of the blue. For example, the origin of benching, which might mean the same thing as the American euphemism “making out” or pursuing a woman with carnal/romantic intentions, is not clear.

The book traces the evolution and history of such words and phrases, explains their meanings and gives reasons why Ugandans, when their level of comprehension is fully stretched to the limit, directly translate English words often with no regard to grammatical, semantic or syntactic nuance that is required. As a result, you end up with a phrase that makes no sense to the uninitiated.For example, many Ugandans say, “Borrow me some money,” instead of “lend me…”; “Museveni has ‘won Besigye” to mean “Museveni has defeated Besigye, etc”.

The reason for this, the author observes, is because of our difficulty processing these linguistic phenomena when our thinking is steeped in indigenous language and cultural backgrounds. And this hampers our processing efforts. Lack of regular reading of books or interface with English speakers also exacerbates the problem.

The book has a chapter on the history of the evolution and development of Uglish, and an extensive glossary of Uglish words that will blow you away. Oh, and there is a whole chapter full of pictures of signposts! Yes! Signs written in Uglish that will leave you in stitches.

The author, however, makes it clear that the book is not a laughing matter. He writes that the growth of Uglish is much more than the impact indigenous languages have had on English, or the creativity or lack thereof of a people struggling to learn a foreign language.

He attributes most of the factors for the growth of this variety of English to failing education standards, a poor reading culture and lack of opportunities to regularly communicate in English; issues that the government, parents, teachers, students, educationists and curricula developers need to be concerned about.

For some readers, especially Ugandans therefore, the book is to be taken very seriously as there is a lot to learn from it, even as you have some laugh while at it.

--Saturday Monitor, December 13, 2014

According to the full gospel

Using the case of the missionary founder of Full Gospel Church, Dennis D. Muhumuza illustrates how Christians can devote their lives to living by Christ’s example.

In 1960, Pr Hugh Layzell and his wife Audrey left the comfort of their home in Vancouver, Canada, to bring the gospel to Uganda. They held their first crusade under a mango tree in Nakawa, and the open-air meetings spread to other Kampala suburbs and many people got saved. One of those who got born-again was Princess Muggale, the sister to Kabaka Muteesa I. In 1962, she represented the Kabaka at the official opening of the first Pentecostal Church in Uganda—Makerere Full Gospel Church which the Layzell’s planted on Makerere Hill.

A moment of prayer at Makerere Full Gospel Chruch

Over 50 years later, not only has the church immensely grown, its founder is one of the Christians running their race to win. Pr Layzell, now in his 80s, is still strong and preaching the gospel fervently. Following Layzell’s example, Pr Fred Wantaate says believers must continuously examine their lives and be careful how they live because the times are evil, and the temptations to stray are many. Those who fall during the race should pick themselves up and resume the race instead of giving up.

“When things don’t go according to your expectation as they are bound to sometimes because of the different terrains we run over, stay in the race; run with the patience of a farmer who stays in the field working even when the rain is pouring down because he has work to finish. The rain should not stop you either. Know that you are in this for a long haul and determine to complete the race.”

Wantaate adds that some Christians miss the mark when they start comparing themselves to those who are seemingly doing well. “No need to get discouraged because someone is succeeding ahead of you. God has gifted us differently and the grace He has granted you to run your race is enough to bring you victory if you stay focused and don’t get disqualified for straying into another’s lane hoping it’s easier there.”

The overall secret to winning the Christian race is to keep our eyes on Jesus. Paul the apostle compares the Christian life to a race that we should run and never quit (Hebrews 12:1). Those who know the rigours of training for a race later alone running it understand that Paul is not talking about a walk in the park. Only those who finish the race will win what the Bible calls the “unfading crown”.

So what can I do to complete the race? Lay aside the barriers to progress. Remove from our lives anything that would slow us down and the sin that so often makes us fall,” says Paul.

Most of these obstacles may seem harmless yet they choke the fire in our lives from blazing. It could be a job that keeps you too busy to pray or read the Bible, it could be the weekend movie that keeps replaying images of carnality in your mind, it could be a relationship that makes you compromise your standards of chastity or fidelity is a weight designed by the devil to slacken your progress on the race.

“The devil is very smart,” says Pr Wantaate. “He may not stop you from being a Christian but he may make you miss the best God has for you. If the devil weighs you down enough to finish last or second last instead of first, he has won at least a partial victory.”

When we turn to God repeatedly in prayer, and for wisdom, the tempting things of this world lose their appeal as he helps us to run and finish this race for God’s glory and honour.

--Sunday Monitor, December 7, 2014

Preserving the African culture through books

BY DENNIS D. MUHUMUZA


In living up to the notion that a university should be the hub of academic engagements and intellectual exchanges, Makerere University’s Department of Literature on October 31 launched two books written by two of its staff members.

The first, Gender Terrains in African Cinema by Sr Dr Dominica Dipio, explores the field of African cinema; analysing three categories of women (the girl child, the young woman and the elderly woman) and the various roles they play in relation to their male counterparts.

(L-R) Sr. Dr. Dipio, Mr. Tumusiime, Dr. Mushengyezi and Dr. Danyson Kahyana at the launch

 Dr Dipio began interacting with African cinema as a graduate student at the Pontifical Gregorian University of Roma in 1999, and has never looked back. As a woman from a male-dominated society, she was particularly piqued by the treatment of the African woman by the African filmmaker and other African chroniclers.

It is not surprising therefore that in her book, she brings together the intersections between and among film, literature, gender and popular culture. As a specialist in African film studies, cinema overides as she analyses 14 films directed by male African filmmakers; films spanning the 1970s to 2000s from which she draws general conclusions.

One of the conclusions which was drawn by Dr Consolata Kabonesa, who has already read the book, is that the only way to change gender inequalities in our society is for the mother to model her boy children from when they are still boys to grow up loving and respecting the women. “She also looks at the role of the filmmaker as a transformative agent in society,” said Dr Kabonesa.

The second book
The second book, Oral Literature for Children: Rethinking Orality, Literacy, Performance and Documentation Practices by Dr Aaron Mushengyezi, is the first major attempt at capturing hundreds of texts from the Ugandan oral culture for children – folktales, riddles and rhymes – making them available in four Ugandan languages, including English.

Dr Mushengyezi took interest in local folklore when he was still a little boy, entertaining their home guests with folktales, riddles and rhymes that were all cherished for their cultural and educational value. But the advent of modern technologies that brought the internet and social media, and television with its glut of entertainment programmes, have blotted these cultural materials from our traditional psyche.

Yet these cultural materials are still needed for our identity and overall national value. As the author said, you cannot promote tourism, nationalism and patriotism when you neglect your traditional cultures.
Makerere University’s Prof Austin “Mwalimu” Bukenya, in his analysis heaped praise on Dr Mushengyezi’s book and recited a line from a William Wordsworth poem that succinctly captures how he felt on reading the book: “My heart leaps up when I behold a rainbow in the sky.” The book made his old heart leap like a young man’s in love.

It reminded him of Rosa, a five-year-old story-telling maestro he fell in love with at the age of four. Bukenya, particularly liked the story in the book about a lazy girl who could not dig and had to call her mother’s ghost to help her. “That is the last story my mother told me before she passed on,” Bukenya revealed, turning to the author, “thank you for bringing back my youth.”

In a veiled swipe at the government, which has chronically belittled the arts in favour of sciences, Bukenya said, “the arts that make us human are not useless.” The guest of honour, James Tumusiime (Managing director, Fountain Publishers) hammered the point further home, “Our own culture and thinking cannot be sacrificed at the altar of science.”

In preserving our cultural expressions, Dr Mushengyezi has given tangible meaning to the words of Ngugi wa Thiongo that “literature is the honey of a nation’s soul, preserved for her children to taste forever, a little at a time.”

Saturday Monitor, Nov. 8, 2014