By DENNIS D. MUHUMUZA
Could
it be that the main reason many influential Ugandans and Africans generally are
reluctant about telling and having their stories published is because they have
many skeletons in their closets that would come tumbling out? At least that was
Prof. Zakes Mda's fear. It's also the fear of many because the process of
writing the life story of oneself is equally the process of coming to terms with
his past, which often is mix of the beautiful and the ugly.
Prof. Mda with some of the participants |
Prof.
Mda who delivered the keynote address at the second edition of the Uganda
International Writers Conference, an initiative of the African Writers Trust
(AWT), finally overcame his fear and in 2012 published his first creative
non-fiction book titled Sometimes there is a Void: Memoirs of an
Outsider.
"In
this memoir, Mda tells the story of a life that intersects with the political
life of his country but at its heart is the classic adventure story of an
artist, lover, father and teacher," notes AWT Director Goretti Kyomuhendo.
"There's no denying the raw honesty and inspiring penmanship of this work
of note, especially in relevance to our conference theme - 'Memoir and
Truth.'"
Prof.
Mda who teaches Creative Writing at Ohio University believes it's important for
the African to tell his story; not the peculiar narrative that reinforces the
stereotype of African suffering, but a narrative of an African rising; a
narrative of how a poor African child can beat the odds and make it, a
genuine portrait of who we are against misrepresentation by
outsiders. Writing would also "preserve our disappearing world".
The
South African practices what he preaches. He has published over 21
books, ten of which are novels. The rest are collections of poetry and plays,
and a monograph, When People Play People, on how theatre can
be used to develop a people.
Even more interesting is that since 2000,
Prof. Mda has been running a beekeeping project with the rural women in Eastern
Cape. His wealth of experience and knowledge as an all-round author, teacher,
Pan Africanist, well-travelled man, former exilee and beekeeper made him the
perfect choice to discuss the Conference's theme of 'Memoir and
Truth.'
The five-day
event which started on Sunday afternoon but was officially opened on Tuesday at
Fairway Hotel, brought together nearly 30 African writers of note and
supporters of the art from Uganda, South Africa, Nigeria, Kenya, Rwanda,
Malawi, Cameroon, Somalia, US, and UK, including our own Daniel
Kalinaki who is basking in critical acclaim for his recent biography of Dr.
Kizza Besigye, Jennifer Makumbi, UK-based poet Mildred Barya
Kiconco and Dr. Susan Kiguli, among others.
Prof.
Mda lauded Uganda's literary heritage, citing John Ruganda and Okot
p'Bitek among authors who greatly influenced him. He worked with
Ruganda and learned a lot from him about theatre while from p'Bitek "I
learnt how to write poems and plays drawing from the rich idioms of my
indigenous languages."
The participants
looked into successful literary initiatives, talked about space and identity in
African writing, discussed the rise of digital literature and the need to
embrace it. But the focus remained on the shift to non-fiction, with
Prof. Mda articulating the distinctions between memoir and biography - two
genres through which the story of African people would be
accurately chronicled while remaining faithful to the emotional truth
that would help the critic to understand us better.
The
whole point being that there is a whole lot to gain from telling our
stories. After all, if we don't write our story, the outsider who will
truly never be close to our reality will tell it...superficially.
--Saturday Monitor, March 14, 2015