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Wednesday, July 30, 2008

Hitchhiking from France to Uganda

DENNIS D. MUHUMUZA

Many Ugandans talk of adventure but few if any have tasted or smelled its intensity as much as Jeremy Marie has. A year after his bachelor’s degree in tourism, the Frenchman, spurred by the spirit of discovery, hugged his family, friends and countrymen and began his hitchhiking mission around the world.

Hitchhiking means “to get a ride from a passing vehicle, usually by standing at the side of the road and holding out the hand with the thumb raised,” according to Microsoft Encarta Dictionary 2007. The dictionary however omits the fact that the hitchhiker does not pay for the ride.

For Marie, it began with his childhood fascination with the works of fellow Frenchman, Jules Verne (1825-1905), the author of fantabulous fiction such as Journey to the Centre of the Earth and Around the World in Eighty Days. So he kept it lodged in the deepest corner of his heart that when he grew up he too would distinguish himself by some thrilling enterprise like Professor Lidenbrock and Phileas Fogg –two indefatigable heroes that make Jules novels unforgettable.

At university, Marie read many travel books to prepare for his impending voyage. And after graduation he worked for one year and saved. He also got some sponsorship from the ministry of youth and sports of the French government and with the encouragement of his parents and beloved twin sister; he was ready for his trip.

Aware that thumbing up for a free ride would be the easiest and most interesting way of meeting people, Marie made his first step out of his home town of Caen, singing along to Marvin Gaye’s classic, Hitchhike. But he was not hitchhiking ‘round the world” to “find that girl”, as the song says, although he’s single and might meet the woman of his life along the way.

“Discovering different things and people and their way of life is the passion of my life,” he said fervently during an interview held at Daily Monitor head office in Namuwongo. “My goal is to observe the world and prove that solidarity and help are still present on our planet.”

Down his bushy eyebrows, eyes moving intelligently behind his glasses, and speaking good English but in a strong almost incomprehensible French accent, Jeremy went on, “My project is to visit schools in the world and try to talk to the children; I try to promote peace; I explain to them that people give me lifts, so from France to Uganda I’ve paid nothing for transport and I’ve been helped everywhere, so that means there are good people everywhere.”

Strapped around his waist was a black rectangular leather pouch containing his papers –passport, a map of the world, some money and a promotional flag that shows him with French children from a school back home.

To get the feel of what truly awaited him, Jeremy first hitchhiked his way around Northern Europe –from France to Germany, Czech Republic, Poland, Estonia, Finland, Sweden, Denmark and England. That was in 2005. Then he decided to discover his country and toured it, talking to the people before he left. Even then, he used “hitchhiking because it’s the best way to travel.”

And when, 10 months ago, Marie solicited his first ride atop a lorry, marking the beginning of his exhilarating circumnavigation, his soul didn’t allow him time for prejudices because it was on the verge of bursting with joy.

“From France,” he began with a toothy grin, “I’ve crossed Europe; from Switzerland, Italy, countries of ex-Yugoslavia, Slovenia, Jordan, Croatia, Bosnia, Montenegro, Serbia, Macedonia, and then I went to Bulgaria and Greece, to go to Turkey. From there I went to Middle East – Syria, Jordan and I travelled to Africa via Egypt, Sudan, Ethiopia, Kenya, and now I’m in Uganda.”

The virtue of riding on 325 vehicles including motorbikes, lorries, donkeys and a ferryboat, crossing 20 countries and covering 19,200kms of distant lands so far, impels people to listen when the small and bubbly Frenchman claims to know what Mark Twain meant when he noted that wholesome and charitable views cannot be acquired by vegetating in one corner of the earth.

It has also been extremely difficult to communicate especially in countries that speak only Arabic and Aramaic. Luckily he has a written brief about his mission in almost every major language and that has helped.

All through, Marie who travels with a small rucksack that contains a few clothes, his washing stuff and sleeping bag, finds free accommodation on the web through couchsurfing.com.

“It’s difficult sometimes but hey, when you do what you really like to do you don’t have difficulties.”

For Marie the thrills outweigh everything else. That’s why he was torn between which of his exciting stories he should share. With a glint of nostalgia, he laughs and says, “I just cannot pick one. There are so many. But Sudan was the easiest place to travel because of the people; for a traveller they are very hospitable. Wherever you travel you get invited for eating, for sleeping, for drinking. In one restaurant I went to pay my bill and I was told a certain Monsieur had paid for me…small stories like that make the trip nice and make me feel that people are good everywhere.”

He also met a gentleman in Slovenia who owned “a folk guitar he said was hidden in the middle of nowhere in Istanbul! Through google earth he showed me where to find it and when I reached Turkey I looked it up and found it, and sent it to France where I will find it after my journey.”

Jeremy entered Uganda a week ago and found it “very peaceful.” He has so far visited Entebbe and was planning to hit a club to check out the nightlife of Kampala. He’ll then head to Mbale and preach peace in primary schools there, then go to western Uganda and round off his one-month stay in the south of the country.

“My next destination will be Tanzania, Malawi, Mozambique, Zimbabwe and South Africa. From there I’ll take a final sailing boat across the Atlantic to go to South America, still without paying for transport.

I hope to safely arrive in Brazil and from there I’ll go to South America and the west side of the continent like Chile, Bolivia, Peru, Ecuador, Colombia, Argentina, to Central America and then on to North America. After that I’ll have to go back to Central America to find a boat to cross the Pacific to arrive in Oceania and the south west of Asia, then Japan, China, and India, before going back to Europe.”

Asked if he truly hoped to sail freely on a ‘Henrietta’ of sorts like his friend Phileas Fogg of Around the World in Eighty Days, to cross the Atlantic and Pacific oceans, Marie said it may be difficult but he would ask to work as a skipper or wash the dishes in exchange for the sail. After all he had worked in a hotel for a month in Jordan when he ran out of money.

He’s yet to decide if he should chronicle his exploits but said it’s an idea he may not shy away from upon the realisation that he can promote peace through the book.

After the interview, he stood by Namuwongo roadside and struck the hitchhikers trademark hoping to snatch a free ride to Kamwokya but the taxi touts didn’t comprehend the Mzungu with the raised thumb.

By the end of four years, Marie will have fulfilled his dream in its entirety. Then he can, if he wants, stroke his beardless chin and thump his chest saying, “Yes Jules Verne, I didn’t travel only in imagination like you! I’m the bold traveller! I’ve been around the world and back!”

--Sunday Monitor, July 27, 2008

Femrite gives a voice to Ugandan writings

DENNIS D. MUHUMUZA

When Monica Arac de Nyeko won the Caine Prize for Literature in 2007, a Daily Monitor reporter then, Glenna Gordon, drew on other women writers celebrated internationally who are members of the Uganda women writers’ association (Femrite), and wrapped up her argument: “For once, the women are at the head of the pack and the men are limping behind, manuscripts in hand.”

That statement spurred ire from men as passionate about writing. They fumed, it’s just that we lack an equivalent of Femrite to publish and promote our works otherwise we are writing more and better. For a simple newspaper article to incite such exchange gave credit to Femrite for engendering the debate on women writing.

At the time it was founded in 1996 there was hardly any audible literary female voice at home. Men had led long, and the women headed by Mary Okurut, having felt the pinch, formed Femrite with a desire, according to their website, “to change that situation and build level ground for Ugandan women creative writers enabling them to contribute to national development through creative writing.”

Femrite instantly became a magnet that attracted a pool of talent that have had it stamped that Ugandan women can sustain good prose and poetry by winning several writing awards beyond the border. Take the story of Glaydah Namukasa. She was an unknown fish-eating, baby-delivering and writing-loving midwife in Wakiso District who knew not that one day something big would come of the little pieces piled in her exercise books in a metallic suitcase under her bed.

“Femrite made me appreciate women writing, it gave me the inspiration and engaged me with the writing world,” she says. “When I joined their readers/writer’s club in 2002, I came with a story which members did critique and that story became a book and that book won a prize.”

The book Glaydah fondly cites is her second novel, Voice of a Dream that won the 2005 senior category of the Macmillan Writer’s Prize for Africa. She has since authored a string of other short stories now found in prized anthologies and is writing her third novel and will this August attend the International Writing Programme at the University of Iowa.

You might argue that Glaydah was more than Femrite shaped by Crossing Borders – a British Council creative writing programme where budding African writers are mentored by established UK writers. But then, apart from the Sanyu FM radio phonics programme in late 2006 which brought to our ears some of the best short stories, little has been heard of other Ugandan writers that benefited from the same programme.

As Femrite celebrated the ninth edition of its annual week of literary activities last week, many lauded the association for going above the call of duty to transform the country from a literary wasteland to a verdant terrain where the pleasure of reading and writing are today passionately enjoyed.

“In helping us tell our stories,” said Pamela Elizabeth Acai, “Femrite has shaped and refined the quality of writing that’s coming out of Uganda and we are getting to that world class level.”

Said Doreen Baingana, 2006 winner of the Commonwealth First Book Prize (Africa region) : “Although I’ve done most of my writing while in the United States whenever I’ve come back I’ve found a literary home; I’ve a community because we do our work in isolation, but it’s always good on the other hand to find people who think like you do, who share your interests.”

Addy Beukema who was part of a Femrite organised poetry programme for schools said before she came to Uganda the only Ugandan author she knew was Moses Isegawa (author of Abyssinian Chronicles) because he’s based in her country –the Netherlands.

“I’m now really proud of the Ugandan female writers,” she said. “I like the anthology, Tears of Hope and I love Cassandra.” The latter is a novel by Violet Birungi, another Femrite member whose play, Over My Dead Body, won the British Council International New Play Writing Award for Africa and the Middle East in 1997.

Incidentally, the highlight of the literary week was the Wednesday public debate in which members engaged Zimbwabwean visiting writers –Keresia Chateuka and Eresina Hwede –in a debate: 'Writing the Unfamiliar Story: Engaging the Political Arena.'

It proved one thing, that Femrite writers though resilient in finding their voice, have not tackled issues of democracy, cultural invasion, religion, human rights violation, dictatorships, corruption or politics as closely in depth as their male counterparts such as Prof. Timothy Wangusa (in his poetry), Alan Tacca (The Naked Hostage), Arthur Gakwandi (Kosiya Kifefe), Austin Bukenya (The People’s Bachelor) among others, have.

Save for Dr Susan Kiguli’s The African Saga, many Ugandan women writers concentrate on issues of sex, domestic violence, famine, friendship and emancipation and are yet to have an impact like the works of authors like Wole Soyinka, Okot p’Bitek or Ngugi wa Thiongo have had.

Thankfully they seem aware – the reason they chose to conclude this year’s literary week with the launch of Today you Will Understand, a collection of stories of women’s experiences in armed conflict.

“It’s exciting that we are moving from a smaller setting of fictionalised pieces to momentous issues of peace and stories of conflict,” said Jackee Budesta Batanda, another award-winning Femrite writer and Communications officer of Refugee Law Project. “Members of Femrite going to northern Uganda and identifying women who have gone through these experiences who could not have a voice to tell and making them know that their stories were important to tell, that in a way was very empowering.”

When they get intoxicated with such contentious issues and heed the advice of Keresia Chateuka to “keep fighting on and writing without ceasing”, and then development partners hear the cry of Femrite coordinator Hilda Twongyeirwe to bolster their activities, only then will Ugandan women writers convincingly walk hand in hand and side by side with their male counterparts.

--Daily Monitor, Saturday July 27, 2008

Monday, July 14, 2008

Obsessed with taking photos

DENNIS D. MUHUMUZA

My school times memories would be incomplete without sharing about the fun we devoured from posing for pictures. I attended one of the remotest schools in Maj. Gen. Kahiinda Otafire’s county but life was good and sweet my friend.

The opening and end of the school term and the swearing-in-ceremony of new student leaders were crowned with parties in which we danced vigorously and dexterously to South African and Congolese music and posed spectacularly for pictures.

Bakwata, the village photographer, would go on one knee, close his right eye and ask us to say “cheers” or “smile” while the flash from his beautiful black Yashica camera literally blinded us.

I was a rich kid who vended a 20-litre can of milk on my father’s Roadmaster bicycle every morning before I pedalled to school, so money was not my problem, and together with other ‘rich’ kids, we took as many ‘snaps’ as we liked. Rummaging through them this morning I was amazed at the moves we pulled.

In one shot, I was wearing a cowboy hat and “listening” to my pocket radio. In another, I was standing next to my friend in a scarlet tie (‘stolen’ from Dad’s). How I laughed reading the words written at the back: “Me and my friend Junior enjoying life at school. My message is this – a poor man is one who does not have a friend!”

In another, three of us were sporting prototype sunglasses with red bandanas around our heads, with mean faces looking like Lil Bow Wow at 12, proving that we were “local” but with style.

There’s another shot of us young “scholars researching for our next philosophical work.” I captioned it: “Being wise is better than being strong, yeah, wisdom is better than strength!”

During socials, the school’s dancing wizard would ask the cameraman to get ready as he wobbled on the dance floor like a caterpillar. Oh sweet nostalgia! We would pose for pictures in front of the headmaster’s office, outside the school gate, or playing soccer with balls made out of dry banana fibres.

I cracked up when I came to the one I took with “Mr. Pajero” – famous for defending his pen snatching ways with a slogan that stealing is not bad unless you are caught.

One day, we had special visitors at school that came in a Pajero on whose bonnet he sat to have his photograph taken. Suddenly, the car siren went off murderously, forcing him to take off at a speed faster than the car’s. That’s how he got his nickname, and we often teased him that not even the car could stand his body odour!

Anyway, the most popular pose was standing straight like electric poles, legs astride, staring ahead with hope, while girls in ready-made cotton dresses liked to rest one of their tender hands on their hips and smile for the camera seductively. The sharper of us would rest his hand on the shoulders of one of the girls while the cameraman snapped away!

Laughter and friendship filled us and so free were we that we even took photos in the mango tree in the middle of the school compound, shaking hands, jumping like frogs or wearing caps made out of leaves and sometimes Muslim caps to resemble young Imams.

The shots are full of fond memories but fonder is the one taken of me enjoying the ‘zero-distance squeeze dance’ with my crush. I’m sure the Guinness Book of World Records people will find something in my secondary school photo album to enter their annals!

--Sunday Monitor, June 29, 2008

Shobanjo at crossroads on who to hire

DENNIS D. MUHUMUZA

It was a delightful surprise when in entered six ex-apprentice contenders. Ceo Biodun Shobanjo then offered the two finalists a chance to hire three employees each to help out in what would go down in history as the first of the last business task of The Apprentice Africa show.

Eunice Omole hired Tunde, Blessing and Kathleen. Isaac Dankyi-Koranteng hired our own Deox, Regina and Nnamdi. Prior to that, Shobanjo congratulated the two, commending their commitment to excellence and pursuit of their goal to be the first African apprentice.

They had survived boardroom bullets and watched on while their contemporaries dropped off one by one like branches falling off a tree. “The competition has been very challenging emotionally, intellectually, and physically…” he said. It had to be for he was looking “for the true best candidate in Africa.”

The challenge was about creating an event under the theme: Experience Bank PHB. This called for the cutting-edge dynamism associated with Bank PHB. Isaac went for the sparks and hired Nigerian comedian Gbenga Adeyinka to crackup the patrons by way of emceeing.

The joker didn’t disappoint and lured Shobanjo to “step up here and say something”. The big man laughed lightly and obliged. The guests were briefed about the legacy of Bank PHB and the benefits that come with dealing with this prestigious institution.

They ate and drank to their fill. Singer Timi lightened the event further with soulful tunes, and at the end of the day, one lucky man walked away with 20, 000 Naira after winning a raffle game. Meanwhile, the industrious Eunice made guests re-enact the hustle of banking they braved in the past by lining up like primary school pupils at an assembly.

Shobanjo himself was shown in a queue with a legion of others. Then they were shown that with Bank PHB’s finger print-friendly ATMs, they could in a second do business – thanks to a modern computerised and fast system. Eunice’s “e-banking redefined” theme left an impression.

It was boardroom time and Shobanjo first wanted to know how ready they were to live and work in Lagos – a city of “organised chaos.”
“Oh man, there’s no difference between Lagos and Accra. In fact, Lagos will be my home away from home.

My wife is lovely and ready to go with me even to the end of the earth.” He didn’t put it exactly that way but Isaac left no doubt about his readiness to embrace life in Nigeria. And then Eunice said she was young, pretty, single (are the men in the house listening?) and energetic. Besides, her parents stay in Nigeria so relocating from the US was what she was looking forward to.

Shobanjo shooed them away to wait at the reception while he consulted his advisors. Paul and Mimi believed Isaac was the better candidate because he influenced many wins both as a team player and project manager; a “quiet achiever” with “guts and passion to win.” This is when Shobanjo poured out his heart on Eunice, praising her zeal to win and her distaste for failure, saying, “She fights for her life and fights very well and communicates very well.”

But he also agreed that Isaac is “tick, solid and sound” however easy-going he is. It was clear he had reached the crossroads. Who would he hire, who would he reject? The suspense was nerve-wrecking; the winner was not announced. Till next week.

--Daily Monitor, June 28, 2008

Angella Katatumba returns with 'Glad I’m Alive'

DENNIS D. MUHUMUZA

After a two-year “disappearance”, Angella Katatumba is back with her second album, Glad I’m Alive. The 10-track album, she says, is purely inspirational.

“As Africans, we’ve had so much pain so I set out to do something that will make you appreciate life more and feel good.” The title track validates her words more.

She sings beautifully on this one about “a brand new day,” the happiness of living and the powerful feeling inside that makes her feel like she can “move mountains as high as the Rwenzori...”

She strikes a balance in that half the recordings are disco-like with much emphasis on the beat that will compel audiences to get on the dance floor. In this category are Set Me Free, a gospel-inspired hit that has the vibrancy of Mary Mary’s Shackles, and Success styled like Sikyetaga, her “oldie” with Bebe Cool.

Angella decided she needed Navio’s (of Klear Kut) rapping skills on Feel Alright and together, they plead with patrons to sway and feel the vibe while the deejay plays the record to the end.

She features First Love on A Better Place, a therapeutic reggae jam that preaches togetherness and asks “soldierman” to put the gun down and give a little love instead. It’s a rhythmic song; lots of guitar sounds, drums, and recorded live to fall into contemporary Caribbean music. Forgiveness is a politically conscious song about displacement, bloodshed and the Rwanda genocide.

It prescribes love and mercy for pain. The strumming, the saxophone, soft claps, drums and rattles, finger snaps and other computer generated sounds alongside the choir are maximised to bring out the freshness on songs like Thank You, Without You, Wind Beneath Your Wings and Pledge; melodies in the league of her first single, Standing in the Rain.

Pitted against Glad I’m Alive, her first album, Peace, is an underdog. The singer has a more focused message and has matured vocally although I got the feeling she struggles on one or two songs especially when she tries to build to a crescendo only Whitney Houston is capable of.

One must however appreciate her dynamism in combining different elements from different genres of music to create something that somewhat embraces the demeanour of American R‘n’B but also retains a heartbeat-like-rhythm Ugandans so love.

Produced at First Love Records, the album, if you ask me, deserves space in the CD jacket of those who like to dance, love and get inspired.

--Daily Monitor, June 28, 2008

My neighbour is a breath of fresh air

DENNIS D. MUHUMUZA

She joined me in this neighbourhood about a month ago – and like they say when you have met Jesus Christ – life has never been the same again.

On Sunday evening, just two days after she became my next door neighbour, I heard a soft knock on my door. “Come on in,” I cried without taking my eyes away from the book I was reading, disgusted at being distracted.
My visitor didn’t even wait for me to finish the chapter I was reading.

“You have so many books here,” she said warmly, taking in my box-sized living room. She wore a flattering white dress with red polka dots. I smiled inspite of myself, but regretted it when a quizzical expression twisted her pretty face.

“You cut a comical figure,” I explained myself, “been long since I saw a girl dressed like that.”
A quick lightening of something like fury flashed in her eyes and I hurried to elaborate; “I don’t mean that in a bad way, you look quite dashing in that little dress and I was thinking I wish all girls dressed like that.”

Then I quickly changed the subject by asking, “How can I help you, Miss?”
“Nancy,” she said, extending her hand in greeting. It was very soft. And Nancy was on “an orientation mission…getting to know my neighbour” and “practicing good neighbourly etiquette.”

I never knew of a thing like that and I didn’t like her guts. I mean I was not going to entertain someone who would often disrupt those special solitary moments, like when I shut myself in my room to recite poetry, listen to lounge worship or read a book.

I remembered how I had been on the verge of abandoning this hood because my previous neighbour – a pretty single woman who left for ‘work’ at 8p.m and returned at 6a.m, had two-loudmouthed twin boys that just never left me alone. I had been relieved when I returned from work one slow evening and found her suddenly gone, although days later, I was terribly missing her ‘naughty boys’ as I called them.

And here was this stunning one, with beauty larger than First daughter Pastor Patience Rwabwogo’s, so full of herself; would I tolerate her?
It turns out that Nancy was a real godsend. She’s a born-again Christian just as I am and sings in a church choir. My, my, you should hear her sing Crystal Lewis’ Beauty For Ashes!

I’ll never forget the day she asked me what I do. “Budding writer,” was my reply, at which point she told me she was impressed. And the next day, she read me a two-page story she had written. It was a boring jumble but I asked her to read it over and over so that I could hear her voice again and again!

She must have thought I liked it because she wore a killer smile all day. She also offered to massage my bony shoulders and clean my room. Nancy sometimes brings me steaming coffee and stays longer reading.
She’s a great cook too, and at her insistence, I no longer have my meals in restaurants. I buy food and she cooks and we eat together like a lovely couple. It’s very funny and I’m loving it.

The other day, she joked that I’ve taught her to consume books like a fire does a dry bush. And she’s quite a talent when she gets to tell about the book she has completed reading.

Today, Chapter 9 is my favourite of Nicky Cruz’s A Final Warning because it’s the chapter she found me reading the first day she knocked on my door. It’s titled ‘The incredible joy of being there.’
And I know what you are thinking. No, I’m not in love with Nancy!

--Sunday Monitor, June 22, 2008

Blessing out, who will be the apprentice?

DENNIS D. MUHUMUZA

St. James, the half brother of Jesus, writes in his gospel that the untamed tongue – small as it is –is a flame of fire capable of causing enormous damage.

Having survived 15 raging weeks of the Apprentice Africa show, Blessing Njoku, wherever she is, must be remorseful for ignoring James’ warning and allowing her tongue to end her race just a fortnight to the top.

This being the ultimate job interview, Ceo Biodun Shobanjo asked the three of the original 18 contestants remaining to persuade Bank PHB and Insight Communications executives why each of them is the most fit to become the African Apprentice.

So began the interview with Blessing being asked about her ability to handle pressure considering her pedigree of breaking down whenever they lost. She answered without batting an eyelid that once she scooped the job she would be fine. Did she believe there are difficult people? “I believe there are no difficult people, but people we have difficulties dealing with,” she answered smoothly.

Then she was asked what micropedia, macropedia and encyclopedia are, she was not far from off and could have earned 75/100. The questioner probed deeper, managing to expose her. For example she said she had read 20 books in the past year. Can you mention them please? And she fidgeted.

She then proudly reiterated that she can be “manipulative” seeing the ease with which she can sell you what you don’t need. It was a mistake she would later regret.

Then came Eunice Omole. For someone with a Bachelor’s degree in Economics from the prestigious University of Virginia, it was shocking that she had no clue what stagflation is. She however answered other questions brilliantly, and with her sexy appeal, the judges licked their lips and soon forgot her mess. In a hot boardroom, Shobanjo told Eunice that she is over-confident and aggressive and needed to work on her listening skills and asked Isaac to be a little more aggressive.

Turning to the Igbo lady, his small eyes dancing with pending trouble, he said, “You were said to be a strong fighter… but there was an expression you used during your interview that you were manipulative… I’m seeking to hire an apprentice that is wholesome and solid; someone whom I might entrust one of my companies… and based on the fact that we live in a society where integrity is extolled over being manipulative, plus the fact that there wasn’t much depth in your answers…Blessing, I regret to say, you’re fired!”

Sales manager Isaac Dankyi-Koranteng is determined to be one of the top five African business executives, and although critics have called Eunice a vicious little-brained “bitch”, she has held her own and proved she works harder than she likes to party. It’s therefore not clear who between the two will be “knighted” on Sunday but the finale promises to be the most thrilling battle of the sexes.

--Daily Monitor, June 21, 2008